SKU: 48837973931

Claudio Gobbi "Berlin, Hebbel Theatre #1", 2005

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Claudio Gobbi "Berlin, Hebbel Theatre #1", 2005Claudio Gobbi "Berlin, Hebbel Theatre #1", 2005 Die von dem italienischen Knstler Claudio Gobbi fotografierten Theater des 20. Jahrhunderts in Paris, St. Petersburg, Lviv, Berlin oder Warschau zeigen in ihrer Szenenhaftigkeit geteilte Erinnerungen und vertraute Rume. Sie sind Symbol kultureller Grenzen und deren bergnge. Was aus der Zeit gefallen scheint, beinhaltet eine starke gemeinsame europische Identitt. Die Innenrume suggerieren eine neue

Claudio Gobbi "Berlin, Hebbel Theatre #1", 2005

Die von dem italienischen Künstler Claudio Gobbi fotografierten Theater des 20. Jahrhunderts in Paris, St. Petersburg, Lviv, Berlin oder Warschau zeigen in ihrer Szenenhaftigkeit geteilte Erinnerungen und vertraute Räume. Sie sind Symbol kultureller Grenzen und deren Übergänge. Was aus der Zeit gefallen scheint, beinhaltet eine starke gemeinsame europäische Identität. Die Innenräume suggerieren eine neue mögliche Geografie für einen neuen Weg durch Raum und Zeit, eine Entdeckung zwischen Dokumentation und Fiktion, in der die Formen, die Farben, das Mobiliar, kurz das gesamt Interieur einer vergangenen Zeit eine unsichtbare Linie zwischen allen europäischen Ländern und ihrer verschiedenen Identitäten zieht. In „Persistence“ hinterfragt der Künstler europäisches Territorium und europäische Geschichte in mehr als 20 Länder, und er erspürt die natürlichen visuellen Brücken zwischen Ost und West.

Claudio Gobbi (*1971, Ancona, Italien) studierte Politikwissenschaften, bevor er sich entschied, beim italienischen Fotografen Gabriele Basilico am Riccardo Bauer Institut in Mailand zu studieren. Zahlreiche Einzel- und Gruppenausstellungen folgten, wie Teilnahme an der 2. Thessaloniki Biennale of Contemporary Art Griechenland, sowie Auftragsarbeiten für das MAXXI Museum of XXI Century Arts in Rom erbaut von Zaha Hadid. Er erhielt zahlreiche Stipendien und Auszeichnungen, wie den Preis der BNL-BNP Paribas Group Milan sowie eine Nominierung zum Preis der Deutsche Börse Photography Foundation, die Gobbis Buchveröffentlichung "Arménie Ville" im Verlag Hatje Cantz würdigte. Seine Arbeit beschäftigt sich mit den kulturellen und politischen Aspekten von Landschaft und Architektur. Seine Langzeitprojekte kombinieren oftmals Archivmaterial mit eigenen Aufnahmen und bringen so verschiedene investigative Sichtweisen zusammen. Die Arbeiten sind geprägt von Fragestellungen unserer Zeit zu nationalen und kulturellen Identitäten, den Transiträumen und Grenzräumen und das Zusammentreffen von Ost und West. Claudio Gobbi lebt und arbeitet in Berlin.

Edition 5 + 2AP

2 AP/Artist Proof, C-Print 48 x 23,4 cm, Weißer Rand, inklusive Rahmung, Ahorn weiß (55 x 32 cm), Museumsglas

€ 1700,00 (inkl. MwSt., gerahmt)

C-Print 95 x 48 cm, inklusive Rahmung, Ahorn weiß, montiert, Museumsglas

€ 3700,00 (inkl. MwSt., gerahmt),

zzgl. Versandkosten

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SKU: 48837973931

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I’m trying to get better at using sunscreen more consistently, so I’ve been on the hunt for a while for the perfect formula (ideally SPF 100, not greasy, and would work well under makeup for when I’m both outdoors and wearing a full beat). I liked that this seemed to tick off all my boxes while also being affordable because if I’m going to use it frequently, I want to rest easy knowing that it won’t break the bank. I also vaguely remember using this sunscreen (or at least this brand) many years ago with no issues, so figured it’d be worth going back to. I normally use three thick finger lines of sunscreen for my face, neck, and ears, regardless of spf number, because if I’m going to go outside I’m not taking any risks. (Usually the rule of thumb is two fingers.) Also depending on what I’m doing and how long I plan on being outside, I try to also take the bottle with me so I can reapply. Anyway, I test it out, wear it, feels good. Takes a little while for it to feel relatively dry as advertised, but once it dries it’s tolerable. By the end of the day you might forget you still have it on your skin (aside from maybe the slight sunscreen smell, nothing terrible). Washed it off in the shower as usual. Most of my face still looks perfectly fine, but my undereyes are now red! (Or at least one of them, for some reason my right undereye is more sensitive than the left.) From what I’ve read online so far, it might be a sensitivity to avobenzone, one of the active ingredients. Very baffled with what to do because everyone says to use sunscreen around your eyes because of aging and sunburn, but does that mean I have to get used to my eyes turning red just to get that protection? I already wear pretty big sunglasses too, so it’s not like they’re completely exposed. Will have to experiment some more and/or look at alternatives.
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