flute concertos enzo caroli lucia visentin

flute concertos enzo caroli lucia visentinFLUTE CONCERTOS (CVLD293) Enzo Caroli, Flute Lucia Visentin, First violin and conductor Orchestra GAV Saverio Mercadante (1795 1870) 19: 58 Concerto in E minor for flute and string orchestra (revised by Agostino Girard) Disponibile in: File HD, CD 01 Allegro maestoso 9: 26 02 Largo 3: 53 03 Rond russo (Allegro vivace scherzando) 6: 39 Johann Joachim Quantz (1697 1773) 17: 71 Flute Concerto in G Major 04 Allegro 6: 30 05 Arioso (Mesto) 6: 41 06 Presto

FLUTE CONCERTOS  (CVLD293)

Enzo Caroli, Flute - Lucia Visentin, First violin and conductor - Orchestra GAV

Saverio Mercadante (1795 - 1870) 19:58 Concerto in E minor for flute and string orchestra (revised by Agostino Girard)

Disponibile in: File HD, CD

01 Allegro maestoso 9:26

02 Largo 3:53

03 Rondò russo (Allegro vivace scherzando) 6:39

Johann Joachim Quantz (1697 - 1773) 17:71 Flute Concerto in G Major

04 Allegro 6:30

05 Arioso (Mesto) 6:41

06 Presto 5:00 Carl Stamiz (1745 - 1801) 19:00 Konzert fur Flote in G-Dur Opus 29

07 Allegro 9:03

08 Andante non troppo moderato 4:28

09 Rondo (Allegro) 5:29

Giovanni Battista Pergolesi (1710- 1736) 12:40 Concerto in G major for flute, strings and basso continuo

10 Spiritoso 4:24

11 Adagio 4:49

12 Allegro spiritoso 3:27

Tot. Time: 69:54

24bit/88.2kHz original recording made at Magister Area Studios, Preganziol, Italy, on August 2017

Production: VELUT LUNA
Executive producer: Marco Lincetto
Musical producer and editing engineer: Mattia Zanatta
Recording, mix and mastering: Marco Lincetto
Design and layout: L'Image
Text: Anna Tonini
Photo: Mirella La Rosa

The flute concertos presented in this recording offer a central section of the flute repertoire, dedicated to the classical form, composed between the second half of the 18th century and the first half of the 19th century, in galant style. They all share the singular characteristic of being in G major, except for Mercadante's concerto, which is nevertheless composed within the soundscape of the relative minor, E minor. Divided into three movements, they follow the usual scheme of a faster, denser first movement, a more lyrical and cantabile second movement, and a lively and technically brilliant third movement. A theme entrusted to the orchestra opens the curtain to the protagonist, the flute, after a few bars, reiterating the tonality and beginning to "play," highlighting the skill and generosity of the performer.