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Broken Stars: Contemporary Chinese Science Fiction in TranslationLOCUS AWARD FINALIST FOR BEST ANTHOLOGY Sixteen short stories from China's groundbreaking science fiction writers, edited and translated by award winning author Ken Liu. In Hugo award winner Liu Cixin's 'Moonlight, ' a man is contacted by three future versions of himself, each trying to save their world from destruction. Hao Jingfang's 'The New Year Train' sees 1,500 passengers go missing on a train that vanishes into space. In the title story by Tang
LOCUS AWARD FINALIST FOR BEST ANTHOLOGY
Sixteen short stories from China's groundbreaking science fiction writers, edited and translated by award-winning author Ken Liu. In Hugo award-winner Liu Cixin's 'Moonlight, ' a man is contacted by three future versions of himself, each trying to save their world from destruction. Hao Jingfang's 'The New Year Train' sees 1,500 passengers go missing on a train that vanishes into space. In the title story by Tang Fei, a young girl is shown how the stars can reveal the future. In addition, three essays explore the history and rise of Chinese science fiction publishing, contemporary Chinese fandom, and how the growing interest in Chinese SF has impacted writers who had long laboured in obscurity. By turns dazzling, melancholy and thought-provoking, Broken Stars celebrates the vibrancy and diversity of SFF voices emerging from China. Stories include:"Goodnight, Melancholy" by Xia Jia
"The Snow of Jinyang" by Zhang Ran
"Broken Stars" by Tang Fei
"Submarines" by Han Song
"Salinger and the Koreans" by Han Song
"Under a Dangling Sky" by Cheng Jingbo
"What Has Passed Shall in Kinder Light Appear" by Baoshu
"The New Year Train" by Hao Jingfang
"The Robot Who Liked to Tell Tall Tales" by Fei Dao
"Moonlight" by Liu Cixin
"The Restaurant at the End of the Universe: Laba Porridge by Anna Wu
"The First Emperor's Games" by Ma Boyong
"Reflection" by Gu Shi
"The Brain Box" by Regina Kanyu Wang
"Coming of the Light" by Chen Qiufan
"A History of Future Illnesses" by Chen Qiufan Essays:
"A Brief Introduction to Chinese Science Fiction and Fandom," by Regina Kanyu Wang,
"A New Continent for China Scholars: Chinese Science Fiction Studies" by Mingwei Song
"Science Fiction: Embarrassing No More" by Fei Dao For more Chinese SF in translation, check out Invisible Planets.
Binding Type: Paperback
Publisher: Tor Books
Published: 04/14/2020
ISBN: 9781250297686
Pages: 480
Weight: 0.85lbs
Size: 8.20h x 5.30w x 1.40d
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★★★★★ 5
Bag
Color: Brown/Acorn
High quality
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Reviewed in the United States on June 2, 2026
★★★★★ 5
Worth the money
Color: Gold-tone Hardware/Leather/Dress Blues
Was made of excellent material and put together nicely. Looked like black in the picture but was dark navy, I just didn’t read the description.
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Reviewed in the United States on May 13, 2026
★★★★★ 5
Perfect size
Color: Vanilla/Acorn
Perfect size . This will hold everything you need. It’s not too small not too big
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Reviewed in the United States on May 4, 2026
★★★★★ 5
Colors and size
Color: Vanilla/Acorn
Perfect for my needs
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Reviewed in the United States on April 30, 2026
★★★★★ 5
Polished Everyday Crossbody, Though Priced Like a Designer-Branded Bag
Color: Vanilla/Acorn
This crossbody bag has a clean, classic look that works well for everyday use, errands, travel, or casual outfits where you want something more polished than a basic purse. The north-south shape gives it a slim profile, so it does not feel overly bulky, but it still has enough room for daily essentials like a phone, wallet, keys, small cosmetics, cards, and other small items.
The zipper closure is a practical feature because it keeps everything more secure than an open-top bag, especially when walking around, shopping, or traveling. The front and back zippered pockets are also useful for items you want quick access to, like a phone, receipt, lip balm, or transit card. I like that the layout keeps the bag organized without making it feel complicated.
The material is mostly PVC with some polyester and polyurethane, so it has more of a coated designer-bag feel rather than soft genuine leather. That makes it easier to wipe clean and more resistant to everyday marks, but buyers should know they are paying more for the brand/style than for leather construction. The bag feels structured and presentable, but it may not have the same long-term aging or softness as a real leather crossbody.
For comfort, the crossbody style is convenient because it keeps your hands free and distributes weight better than carrying a small handbag by hand. It is best for people who want a stylish everyday bag, not someone looking for a large tote or something that can carry bulky items.
For pricing, similar branded crossbody bags usually range from about $80–$200, depending on the brand, size, material, and whether it is leather or coated canvas/PVC. At around $180, this is on the premium side for a PVC-blend crossbody, but it is fairly typical for the Michael Kors price range. Overall, it feels worth considering if you like the style and brand name, but value-focused buyers may want to compare sale prices or color options before paying full price.
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Reviewed in the United States on May 14, 2026