SKU: 38606499550

Dynacord CMS 2200-3 Compact 22-Channel Mixer

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Description

Dynacord CMS 2200-3 Compact 22-Channel MixerThe CMS 2200 3 Compact 22 Channel Mixer from Dynacord features 18 mic line and four mic stereo line channels. There are six auxiliary ports, two with pre, two with post, and two with pre post switchable faders. Two effects processors offer 100 factory presets and a TAP key allows precise setting of delay times. Each preset can be edited and stored to 20 user memories. The built in USB audio interface shares four playback and four recording channels

The CMS 2200-3 Compact 22-Channel Mixer from Dynacord features 18 mic/line and four mic/stereo-line channels. There are six auxiliary ports, two with pre, two with post, and two with pre/post switchable faders. Two effects processors offer 100 factory presets and a TAP key allows precise setting of delay times. Each preset can be edited and stored to 20 user memories.
The built-in USB audio interface shares four playback and four recording channels simultaneously with a PC or Mac, following studio standard 24-bit, 96 kHz. An additional MIDI interface allows integration of instruments such as keyboards. The 11-band stereo graphic equalizer can be routed to master or monitor channels
Channels 18 x Mic/Line
4 x Mic/Stereo Line
Auxiliary 2 x Pre (MON)
2 x Post (FX)
2 x Pre/Post Switchable (AUX)
Gain Microphone (Mono/Stereo): 0 to 60 dB / 10 to 60 dB
Line/CD/USB (Stereo): -10 to 20 dB
Maximum THD @ 1kHz Microphone Input to Master A L/R Outputs, +16 dBu, Typical: < 0.005%
Frequency Response, -3 dB, ref. 1 kHz, any input to any Mixer Output: 15 Hz to 70 kHz
Crosstalk @ 1 kHz Fader and FX/AUX/MON-Send Attenuation: > 85 dB
Channel-to-Channel: < -80 dB
CMRR, Microphone Input:> 80 dB
Input Sensitivity (All Level Controls in Max. Position Microphone / Line, Mono / Line, Stereo / CD, Stereo): -74 dBu (155 µV) / -54 dBu (1.55 mV) / -34 dBu (15.5 mV) / -34 dBu (15.5 mV)
Maximum Level Microphone Inputs: 21 dBu
Mono Line Inputs / Stereo Line Inputs: 41 dBu / 30 dBu
All Other Inputs: 22 dBu
All Other Outputs: 22 dBu
Input Impedances Microphone / Insert Return: 2 Kilohms / > 3.3 Kilohms
2-Track Return and CD Input: 10 Kilohms
All Other Inputs: > 15 Kilohms
Output Impedances Headphones: 47 Ohms
All Other Outputs: 75 Ohms
Equivalent Input Noise Microphone Input, A-Weighted, 150 Ohms, -130 dBu
Noise, Channel Inputs to Master A L/R Outputs, A-Weighted
Master Fader Down: -97 dBu
Master Fader 0 dB, Channel Fader Down: -87 dBu
Master Fader 0 dB, Channel Fader 0 dB, Channel Gain Unity: -81 dBu
Equalization LO Shelving: ± 15 dB / 60 Hz
MID Peaking, Mono Inputs: ± 15 dB / 100 Hz to 8 kHz
MID Peaking, Stereo Inputs: ± 12 dB / 2.4 kHz
HI Shelving: ± 15 dB / 12 kHz
Master EQ 11-Band (63, 125, 250, 400, 630, 1 kHz, 1.6 kHz, 2.5 kHz, 4 kHz, 6.3 kHz, 12 kHz): ± 10 dB / Q = 1.5 to 2.5
Power Consumption 55 W without Lamp, 60 W with Lamp
Filter LO-CUT, Mono Inputs: f = 80 Hz, 18 dB/oct.
Voice Filter, Mono Inputs: Switchable
Feedback Filter, MON 1/2: 70 Hz to 7 kHz, Notch, -9 dB
Effects Type, Effects Presets: Dual Stereo 24/48-Bit Multi-Effects Processors, 100 Factory + 20 User, Tap-Delay,
Remote Control Footswitch, MIDI
Display: 128 x 64 pixels, OLED
Digital Audio Channels: 4 Inputs / 4 Outputs
AD/DA Conversion, Sampling Rate 24-Bit, 44.1 / 48 / 88.2 / 96 kHz
PC Interface: USB 2.0, Female Type-B
MIDI Interface: 5-Pin DIN Connector, Input / Output
Mixer Output Connections MON 1, MON 2, Master A (Relay Controlled)
Power Supply Switching Mode µC Controlled: Mains Over/Undervoltage, High Temperature
Phantom Power 48 VDC (Switchable in Groups)
Power Requirements 100 to 240 VAC, 50/60 Hz (SMPS with Auto Range Mains Input)
Safety Class Not Specified by Manufacturer
Ambient Temperature Not Specified by Manufacturer
Dimensions 32.2 x 6.1 x 19.6" / 818.5 x 155 x 498.5 mm
Weight 32.0 lb / 14.5 kg




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SKU: 38606499550

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Amalia Millan
Whiting, US
★★★★★ 4
Great, but Duct tape the ends of the spiral binding.
Format: Spiral-bound
Great. I like the tabs. The spiral starts to come off over time. With a book like this, that you're flipping back and forth so much a better binding would be good. Duct tape the ends of the spiral to keep it from coming off.
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Reviewed in the United States on February 19, 2025
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Orlando L Pena
San Leandro, US
★★★★★ 5
CPT
Format: Spiral-bound
It has everyone you need to know about CPT
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Reviewed in the United States on September 11, 2025
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Verified Purchase
Clay Werner
Lexington, US
★★★★★ 5
A Deep and Rich Resource on Christian Life
Format: Paperback
I've been waiting for this book for quite some time when I heard it would be coming out as part of the Dogmatics series. I really appreciate how he structures the book as God's Trinitarian actions towards us, the law-gospel distinction, and our response to Gods' love. Rich. A real treat to read, ponder, and reflect on.
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Reviewed in the United States on January 20, 2026
J
Jimmy R. Reagan
Massapequa, US
★★★★★ 5
One of the Best!
Format: Paperback
Kelly Kapic is one of the best theological writers of our day. He gears his writings a bit toward scholars, but don’t let that stop you. Accept the challenge of this book and you won’t be sorry. The title of the series (“New Studies in Dogmatics”) might scare off some readers, but don’t allow that to camouflage a great read. Yes, scholars will likely eat it up as a book that shows an artisan at work in their trade, but I say pastors and thoughtful Bible students ought to claim this one as their own. The only part that might appeal more to scholars than the rest of us is how he loves to delve into some historical personage or creed to illustrate his point. That is only an issue because sometimes that takes more explanation than the point at large he is making. I doubt he can help it. He seems like a walking encyclopedia; a passionate one to be sure, but it is amazing the scope at which he views his subject. His clearly stated thesis is that “Christian life is a response to the love of God”. Not only does that make sense, especially as he develops it, but it also gave him free reign to write across most of the systematic theology corpus as he desired. That could easily degenerate in a muddled mess that said little, but in his skilled hands it became something really special. In fact, the first chapter on why we need a theology of Christian life shows his clear vision of the argument of this book. For the record, I was bought in part way through that first chapter. Part Two with its three chapters fills in “the love of God” part of his thesis. He approaches it as love, grace and fellowship. Those three are often thrown about with a perverse shallowness. Not here. It seems that the depths of the heinousness of sin that he so astutely explains is the key to bringing those three out in all their resplendent glory. Here they sparkle. Next, he has a section that he called an “interlude” on the Law-Gospel distinction. His Reformed orientation comes out strongest here and this section is likely to be the most controversial. In fact, even some Reformed thinkers might quibble with him. From there, he develops the “response to” part of his thesis. This last section covers Messiah, ego and ecclesia to great effect. That our Messiah is the key is painted with the right significance. The chapter on ego was profoundly done. I thought he brought in current thinking on ego and held it up to Scripture and came up with clear thinking in the process. The two chapters on ecclesia surprised me. I was sure that he was going to champion a certain strain of liturgy, but actually he explained that every worship style is a liturgy. It was convincing to me. I nominate this book as the theological title of the year. It is that good. I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255.
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Reviewed in the United States on May 26, 2026
B
BDH
Houston, US
★★★★★ 5
A labor of love
Format: Paperback
Kelly Kapic provides a biblical and theological vision of Christian life—what it means to love and be loved by God—by exploring and explaining the contours of the “life” that is given to the believer as united to Christ, and united to all believers who participate in that same union. The book covers multiple topics one might find in a systematic theology, but seamlessly weaves these through considerations of Christian ethics and corporate worship with clear and accessible prose. Kapic writes charitably as someone deeply immersed in the history of Christian theology and aware of the modern Christian church as expressed through multiple, and sometimes conflicting, traditions. Kapic remains attentive to the doubts of believers and profoundly sympathetic to the reality of those who have suffered abuse under the banner of grace. A remarkable achievement of beautiful orthodox theology. Highly recommended.
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Reviewed in the United States on May 11, 2026

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