SKU: 78361239780

Old Masters Wiping Stain

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Description

Old Masters Wiping StainThis is a cutting edge, robust, interior oil based stain. Its thick, rich formula allows for easy application and superior color control, which is necessary to achieve a rich and uniform color on most surfaces in a single application. Wiping Stain can be used on a variety of surfaces, including unfinished wood, previously finished surfaces, fiberglass, metal, and composition surfaces. Especially recommended for woods such as pine, birch, maple,

This is a cutting edge, robust, interior oil-based stain. Its thick, rich formula allows for easy application and superior color control, which is necessary to achieve a rich and uniform color on most surfaces in a single application.

Wiping Stain can be used on a variety of surfaces, including unfinished wood, previously finished surfaces, fiberglass, metal, and composition surfaces. Especially recommended for woods such as pine, birch, maple, poplar, and cherry.

Technical Data Sheet

Where to Use
Wiping Stain can be used on a variety of surfaces, including unfinished wood, previously finished surfaces, fiberglass, coated metal, and composition surfaces. Especially recommended for woods such as pine, birch, maple, poplar, and cherry.

Ideal for difficult-to-stain woods such as pine, poplar, maple, plywood, and veneers.

Surface Preparation
All surfaces must be clean, dry, and free from dirt, wax, grease, glue, and other contaminants or penetration and adhesion will be affected. Wood surfaces must be sanded smooth. Remove dust with a tack rag or a lint-free cloth dampened with mineral spirits. Surface defects should be repaired with an appropriate patching material.

Application
Stir thoroughly before and during application for even distribution of color. Stain application varies based on surface material. Always test stain in an inconspicuous area.

Application on Bare Wood (used as a stain): Color of stain will vary depending on wood type and porosity and method of application. After cleaning wood surface, sand with #120 or #180 sandpaper until smooth. Remove sanding dust. Apply stain liberally with brush, lint-free cloth, or spray until surface is completely wet. Allow to penetrate for 5 to 15 minutes. Wipe with a soft cloth, first across the grain, then with the grain. For a darker color, re-stain when first coat is dry. For a lighter color, wipe with a cloth dampened with paint thinner before the stain has dried.

Application on Fiberglass & Composition Surfaces: Stain one section or panel at a time. Apply a liberal coat of Wiping Stain with a firm synthetic brush or lint-free rag and work the stain across and into the grain uniformly, feathering out streaks while stain is wet. Wipe brush often on a lint-free rag to remove excess stain.

Application over Painted Surfaces (used as a glaze): Apply to thoroughly dry paint with cheesecloth or brush, using long, smooth strokes for simulated woodgraining, or blend gently from edges for other effects. Allow the stain to set up for approximately 5 to 10 minutes, then dry brush to subdue or blend. Allow stain to dry thoroughly (usually 12 hours or longer, depending on humidity and drying conditions). We do not recommend a lacquer-type finish over a glaze application.

Application over Previously Finished Surfaces: Lightly sand surface with very fine grit sandpaper or #0000 steel wool. Remove dust with a lint-free cloth or tack rag. With a foam or bristle brush, apply a thin uniform coat of Wiping Stain. Using a soft, dry bristle brush, make light, even strokes in the direction of the grain while allowing the grain pattern beneath the surface to show through. Continue to lightly brush the surface until the pattern is consistent and then allow the stain to dry. If you need to darken the color, apply an additional coat of stain in the same manner as the first coat. Allow stain to dry thoroughly (usually 12 hours or longer, depending on humidity and drying conditions).

Mixing and Tinting
You can achieve custom colors by intermixing Wiping Stain colors or by adding up to 10 ounces of universal or industrial colorant per gallon. Create Santa Fe pastel colors by tinting Pickling White Wiping Stain (formulas available upon request). Natural Tint Base Wiping Stain may be used to lighten a Wiping Stain color in any proportion or as a tint base for ultimate color selection. The amount of colorant added may affect its performance and extend the dry time. DO NOT THIN.

Coverage:
Approximately 500 square feet per gallon. Spreading rate will vary significantly depending on application method and condition of wood.

Drying Time
Approximately 10 hours, depending on humidity, temperature, and air movement. Dry times may also be extended due to excess stain application or lack of stain penetration. Wiping Stain can be topcoated after 12 hours, but stain must be thoroughly dry. When used on hardwood floors, allow 24 hours or longer depending on surface and drying conditions. Ideal drying conditions recommended are 70° to 75°F and 35 to 50% humidity.
**   Due to the nature and depth of color for the stain color Carbon Black, the minimum dry time is 24 hours.  Dry time may also be extended due to excess stain application or lack of stain penetration.

Cleanup
Using a cleaning solvent, such as paint thinner or mineral spirits, is recommended for cleanup. The use of paint thinners or mineral spirits may violate VOC compliancy in your area. Check with your local government agencies to ensure proper compliancy.

DANGER: Rags, steel wool, sanding residue, and other wastes used or soaked with this product may spontaneously catch fire if improperly discarded. No ignition source is required for these wastes to start on fire by themselves. Immediately place rags, steel wool, sanding residue, and other wastes used or soaked with this product in a sealed, water-filled metal container. Dispose of in accordance with local fire regulations.

 

Recommended Finish Coat
We recommend Old Masters clear finishes. However, this stain can be top coated with most clears. If a lacquer topcoat is desired, test for compatibility before using. For exterior use, we suggest Old Masters Spar-Marine Varnish or Old Masters Ascend Exterior. When applying water-based finishes, allow a minimum of 24 hours before top coating.

MAX VOC: 250 grams/liter (2 lbs/gal)

Pickling White
Old Masters Wiping Stain is also offered in a unique pickling white formula. Pickling white creates a classic, white washed appearance on wood. Contemporary, southwestern colors can be achieved using Old Masters Pickling White as a tint base. Santa Fe tint formulas are available upon request. Please use the following instructions for mixing and tinting. Please follow all other instructions listed above.

Mixing and Tinting
Create Santa Fe pastel colors by tinting Pickling White Wiping Stain with up to 2.5 ounces of colorant per quart. The amount of colorant added may affect its performance and extend the dry time. DO NOT THIN.

MAX VOC: 550 grams/liter (4.6 lbs/gal)

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SKU: 78361239780

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4.9 ★★★★★
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Product Reviews
M
MW in KY
Cuba, US
★★★★★ 5
Amazing Collection!
Format: Hardcover
I've loved Crystal Wilkinson's fiction for so long, so I'm thrilled to see her new book of poems (along with some essays and gorgeous/compelling artwork by Ron Davis). So many memorable image systems work their ways through the poems: creek water, tobacco, the Black body, blood, knives, food and kitchens--symbols and themes which have always marked Wilkinson's oeuvre in one way or another. Her language is lyrical in describing the brutalities of farm life, abuse, grief, and loss. This poetry collection is just stunning!
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Reviewed in the United States on November 9, 2021
P
Peggy Hardman
Carnegie, US
★★★★★ 4
Need my own copy.
Format: Kindle
Looking forward to more of her work, and rereading this book. Some very evocative lines awake my granma memories much like the granmother memories herein.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 24, 2022
R
Verified Purchase
Readergurl
Belleville, US
★★★★★ 5
Amazing Book...
Format: Paperback
It takes a lot nowadays for me to rate any Fiction book 5 stars. I read way more non-fiction, and usually only read highly recommended fiction, or some that's given to me. There are plenty of other reviews here that tell you how it's not a "happy" book (why that matters i dont know), so i wont go on about that part. I dont base my reading choices on whether they have a happy fantasy story. This story is very real. The writing is really good. I have several points that i use to rate a book: the story itself, the actual writing style, the 'entertainment' value, the emotions it brings out - laughter, sadness, etc., and if it's very memorable - either by being very different than anything i've ever read, or by something else about it being very different. The only point out of all of those that i wouldnt give a 5 would be the writing style/prose - which i'd give a 4. It's very good, but not "amazing" to me like some authors are. The author brought me into the characters - where i could feel what they were feeling, and i understood why they did the 'bad' things they did - totally. I felt the way they lived, the area, the poverty... As the story progressed, i stayed up one night for HOURS wanting to know what happened - until the sun rose actually. As the finale was coming - which i had no idea would be the way it was - i was literally gripping the book with both hands and holding it up to my face. I realized this and laughed to myself since i hadnt even noticed. Then - i sobbed thru the last 20 pgs - i havent cried from ANY fiction for a long time. Yes, i get into books and really let them take me away, but this book has a special kind of writing and a special story that i never expected to effect me sooo much. The author THEN does something so amazing at the very end - when i couldnt believe it could get any better. I KNEW what i wanted to happen - and i kept thinking to myself, "no, it wont - because it will just seem to corny if it does." (Even tho i wanted it so much.) She made it happen in a special way, without making it corny but while bringing me the hope and good feeling i needed after all the sobbing. (I dont want to give anything away just in case you dont know the story.) This book scores an A+. If you love good, moving, American fiction you will love this.
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Reviewed in the United States on October 21, 2013
F
Verified Purchase
Francophile in Michigan
Battle Creek, US
★★★★★ 4
Brava, Ms. Ward
Format: Paperback
I read this novel, along with nine others, for a college literature course. Of the ten, this was the only book to elicit a strong emotional reaction from me. There were moments when I hung my head in frustration, threw up my hands in respect (God bless Ward’s writing style), and wiped my face of tears and snot after crying my eyes out. An incredibly moving and poignant novel. The novel opens with its narrator Esch, fourteen years old and pregnant. She often follows her brothers around, and is constantly surrounded by men as well as the gruesome society of dog-fighting. Esch’s predominant male surrounding is, perhaps, the main influence that encourages her to sleep with her brother’s friends, and to submissively pine for the one boy, Manny, who unforgivingly mistreats her. Though Esch’s character was impeccably frustrating, and borderline stereotypical and archetypal, her faults lie with a motherless young girl, who wants to be wanted and loved. Both frustrating and annoying, this characterization was, at times, unlikable, yet that is exactly what made Esch so human. I applaud Ward’s lyrical writing style, as well her ability to write such gruesome and honest depictions that made me literally cringe when reading. Ward is able to effortlessly incorporate poetic language into her novel that, at times, made me set the book in both awe and envy, knowing I would never be able to produce such a product. I did find there to be a disconnect between the poetic language and the colloquial diction. That’s to say, I found it a bit unbelievable that Esch would speak so poorly to her family and friends, yet express herself so eloquently in her narration. Regardless, I found the poetic language to be successful and moving. I knew before reading the book that it was centered on Hurricane Katrina. However, I was surprised that the novel was centered on the build-up to the hurricane. Katrina itself is more or less twenty pages. The chapter pertaining to the hurricane, as well as the aftermath of the hurricane, were the sections of the novel that I found most captivating. Living through the hurricane with Esch and her family was difficult to read, which is perhaps why Ward chose to limit its description. That said, I wish I had more of Katrina and its aftermath. I waited for the hurricane for 200 pages, and it seemed to end as soon as it started. Though I was unsatisfied by the ending, I appreciated that the novel was a work that was not so much about Katrina as it was about survival and family. I was captivated by Ward’s poetic writing and honest characters. I will definitely be on the lookout for her other works, as well as an avid recommender of this novel.
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Reviewed in the United States on December 10, 2015
G
Verified Purchase
Gary Carden
Lowell, US
★★★★★ 5
00 361 pages Hurricane Katrina spawned an awesome number of literary works
Format: Kindle
Salvage the Bones by Jesmyn Ward New York: Bloomsberry $24.00 361 pages Hurricane Katrina spawned an awesome number of literary works, and it may be that, given sufficient time to determine the full merits of Jesmyn Ward’s novel, Salvage the Bones, her work may be the most worthy. Perhaps the theory that great disasters (wars, natural disasters) invariably produce great works of art (operas, novels, paintings, etc.). This theory was often discussed by Flannery O’Conner who commented on the irony of the “creative renaissance” in southern literature which owes its origin to the extensive suffering and injustice associated with slavery and the Civil War. The narrator of Salvage the Bones is Esch, a fifteen-year-old girl living in Bois Sauvage, a predominately black bayou town which happens to be in the direct path of Katrina. Set in the twelve days leading up to, and just after the arrival of the hurricane, the novel presents each day as a distinct vignette. Esch and her brothers spend each day preparing for the terrifying arrival. They have no intention of leaving and attempt to help their drunken father reinforce their shack with sheets of plywood. They collect and store bottles of drinking water. Food supplies tend to consist of Top Ramen moon pies, vienna sausage, potted meat and eggs gathered in the woods. However, despite Katrina’s approach, Esch and her brothers seem to be primarily concerned about their white pit bull, China who has just given birth to five pups. China has developed a reputation in the dog fights that take place in “The Pit” in Bois Sauvage. She is a killing machine, a fact that makes Esch and her brothers the envy of their neighbors. The family’s meager economic security depends on China and each day is spent grooming, washes and feeding her. Indeed they fawn over the big dog, telling everyone that her puppies will grow up to have a killer instinct and therefore, they are invaluable. Much of the intrigue in Esch’s daily life revolves around protecting China and her pups. Skeetah is Esch’s oldest brother and the dog’s self-appointed trainer. Esch has a multitude of problems. She struggles to love her handicapped father and is haunted by the memory of her mother’s death. Now, she discovers that she is pregnant by Bois Sauvage’s “golden boy,” Manny, the boy who put the baby inside her is totally indifferent to the consequences of a rough and tumble frolic in the dark. As each day brings more distress, the homely, pug-faced teenager turns to her imagination, searching for a means to deal with the world around her, and as luck would have it, that is Edith Hamilton’s Mythology, which was a required reading at school. Esch begins to see the people around her as characters in her favorite book. She observes that all the girls in Bois Sauvage seem to be acting like their mythical counterparts: Psyche, Eurydice, Daphne - all of them running away from something or running after someone. However, the mythical character that Esch selects for her own role model is an ominous one. It is Medea, the fierce and vindictive wife of “the golden-haired Jason, who kills her own brother when he stands in the way of her love for Jason; and when that love turns to hate, she then murders Jason’s new wife, Creusa, her father, Creon and even kills her own children. Of course, Esch is not going to harm anyone. Although she is filled with rage at the world around her, she is actually one of the forces that is holding everything together; China, the white pitbull is another. When Katrina reaches landfall, it comes like some apocalyptic act of God, sweeping everything away, including Esch’s home and all of their feeble efforts to battle the rising water. In the end Salvage the Bones acquires a kind of epic grander. Like Noah or Gilgamesh, the waters finally withdraw, leaving a confused and humbled Bois Sauvage. How much has been lost? The puppies are gone and so is China - but given the dog’s character, she may have survived. Perhaps Skeetah and his brothers will find her. The reader is left with a singular image. Skeetah, the oldest brother sits in the wreckage of their home, and while everyone else is searching for missing children, furniture and cars, Skeetah looks at his brothers and announces, “She will come back to me.” Esch tells us: “He will watch the dark, the ruined houses, the muddy appliances, the tops of the trees that surround us whose leaves are dying for lack of roots. He will feed the fire, so it will blaze bright as a lighthouse. He will listen for the beat of her tail, the padding of her feet in the mud. He will look into the future and see her emerge into the circle of his fire, beaten dirty by the hurricane so she doesn’t gleam anymore. So, she is the color of his teeth, his eyes, of the bone bounded by his blood, dull but alive, alive, alive, and when he sees her, his face will break and run water. And what of Esch who loves the white dog? She says that China will look at me and know “I am a mother.” Hopefully, it is apparent that this is a remarkable book. However, it was almost lost in the loud braying and confusion that dominates much of publishing business now. Even so, it won the National Book Award in 2011. Now, after a strange silence, it is beginning to get the attention that it deserves.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 3, 2016

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