SKU: 94136999517

034Motorsport 3.0 TFSI CREC Supercharger Pulley Upgrade - Audi B8/C7 Chassis - 034-145-Z041

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Description

034Motorsport 3.0 TFSI CREC Supercharger Pulley Upgrade - Audi B8/C7 Chassis - 034-145-Z041034 Motorsport 3. 0 TFSI CREC Supercharger Pulley Upgrade Audi B8 C7 Chassis 034 145 Z041. Note: This Supercharger Pulley Upgrade is for CREC Engine and Clutched Supercharger Equipped Audi C7. 5 A6 A7, D4 A8, 4M Q7 & some RoW B8. 5 S4 S5. Measuring in at 57. 70mm, the 034Motorsport CREC 3. 0 TFSI Supercharger Pulley is designed for those who crave more power. Its smaller size boosts the supercharger's drive ratio, making it spin faster and deliver

034 Motorsport - 3.0 TFSI CREC Supercharger Pulley Upgrade - Audi B8/C7 Chassis - 034-145-Z041.

Note: This Supercharger Pulley Upgrade is for CREC Engine and Clutched Supercharger Equipped Audi C7.5 A6/A7, D4 A8, 4M Q7 & some RoW B8.5 S4/S5. 

Measuring in at 57.70mm, the 034Motorsport CREC 3.0 TFSI Supercharger Pulley is designed for those who crave more power. Its smaller size boosts the supercharger's drive ratio, making it spin faster and deliver more boost throughout the entire RPM range. Combine this with CREC Stage 2 or Stage 2+ Performance Software to unlock more potential from your engine, elevating the performance of your CREC-powered Audi.

Note: 034Motorsport CREC 3.0 TFSI Performance Software is sold separately and required in order for this pulley to yield a performance benefit.

CREC Stage 2 and 2+ require the Supercharger clutch to be deleted, so if you are purchasing this pulley upgrade to go to Stage 2 or 2+ and have yet to delete the clutch, add one of our Steel or Titanium CREC Clutch Deletes to your order.

At 57.70mm in diameter, the 034Motorsport CREC 3.0 TFSI Supercharger Pulley is significantly smaller than the factory unit in order to increase the drive ratio of the supercharger. Spinning the supercharger faster yields increased boost pressure throughout the RPM range, resulting in increased horsepower and torque throughout the powerband when paired with Stage 2 or Stage 2+ Performance Software.

034Motorsport's Supercharger Pulley Upgrade is meant for use with CREC Stage 2 or Stage 2+ Performance Software and is engineered to keep the Eaton TVS 1320 Supercharger within its maximum recommended supercharger speed with a 7,400 RPM redline.

Please Note: This Supercharger Pulley Upgrade must also be paired with the 034Motorsport Billet CREC Supercharger Clutch Delete Kit.

Included is the properly sized Supercharger Belt for this pulley upgrade when used with the factory lower crank pulley. Pairing this pulley upgrade with the 179MM will require 7PK1290. Pairing this pulley upgrade with the 190MM crank pulley will require 7PK1320.

CREC Stage 2 and 2+ require the Supercharger clutch to be deleted, so if you are purchasing this pulley upgrade to go to Stage 2 or 2+ and have yet to delete the clutch, add one of our Steel or Titanium CREC Clutch Deletes to your order.

Features:

  • 57.70mm In Diameter
  • CNC Machined from 4140 Chromoly Billet
  • Black Zinc Plated for Long-Lasting Great Looks
  • Direct Replacement for OE Pulley
  • For CREC 3.0T Only
  • Increased Drive Ratio of The Supercharger. Spinning The Supercharger Faster Yielding Increased Boost Pressure Throughout the RPM Range.
  • Increased Horsepower and Torque Throughout The Powerband When Paired With Stage 2 Performance Software
  • 034Motorsport's Supercharger Pulley Upgrade is Meant For Use With Stage 2 or Stage 2+ Performance Software
  • Engineered to Keep The Eaton TVS 1320 Supercharger Within Its Maximum Recommended Supercharger Speed With a 7,400 RPM Redline

OE Part Number Interchange:

  • 06E 145 255 H

What's Included:

  • 034Motorsport Supercharger Pulley
  • Hardware
  • New Replacement Belt

Fitment:

Make    Model    Years    Chassis    Engine
Audi    A7    2016-2018    C7.5    3.0 TFSI
Audi    A8    2015-2018    D4.5    3.0 TFSI
Audi    A8    2015-2018    D4.5    3.0 TFSI
Audi    Q7    2017-2019    4M    3.0 TFSI
Audi    S4    2014-2017 (Euro Only)    B8.5    3.0 TFSI
Audi    S5    2014-2017 (Euro Only)    B8.5    3.0 TFSI

The installation of your 034Motorsport 3.0 TFSI CREC Supercharger Pulley Upgrade, C7.5 Audi A6/A7, D4 A8 & 4M Audi Q7 3.0T is a straighforward process that will take approximately 1 hour to complete. You can access our detailed installation guide by clicking the link below.

Download the 034Motorsport 3.0 TFSI CREC Supercharger Pulley Upgrade, C7.5 Audi A6/A7, D4 A8 & 4M Audi Q7 3.0T Install Guide

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SKU: 94136999517

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4.7 ★★★★★
Based on 18 reviews
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Product Reviews
B
Verified Purchase
Bookworm
Waukegan, US
★★★★★ 5
It's All Right Here. All of it.
Format: Hardcover
I shouldn't even be writing this review because doing so only creates my competition. I'm writing it for Robert McKee out of respect and love for him as one of the best instructors I've never met. I have both STORY and now, DIALOGUE in hardcover, on my Kindle, and the audio version (he narrates his books) in my headphones. I read it, I listen to it and take it with me when I travel. Sometimes I listen and read at the same time. Most nights I listen to the audio version in my sleep. In other words, I eat, sleep and breathe this book. I did the same thing with Story, his other book. I may go to my grave never fully comprehending the vast wealth of knowledge contained in these two books. That's OK. What I can tell you is this. With nothing but STORY as my guide, my very first screenplay took seven months and thirty-five drafts from start to finish. But. That screenplay became a Hallmark Movies and Mysteries feature film. The producers liked it so much they gave me another assignment. That one took six weeks, and they bought the first draft. I'm now working on my fifth script; this one is in the six-figure category, with five figures upfront just for the Treatment. And I owe it all to everything I've learned from studying Robert McKee, supplemented by what I learned from everyone else. Over the past thirty years, I’ve studied with forty plus instructors and highlighted hundreds of books and listened to dozens of recorded seminars. All that information is summed up and thoroughly explained in Robert McKee's two books STORY and now DIALOGUE. I won't live long enough to absorb everything he teaches. And I still study two hours a day as a warm up for my writing. I’d recommend Aaron Sorkin, Warner Hertzog, William Goldman (both Sorkin and McKee say he's the greatest), Blake Synder, Chris Vogler, Michael Hauge, William Akers, and anybody else you can find who’s willing to share their knowledge. Because you never know when a concept you didn’t realize you didn’t understand or needed is going to show up. Especially when presented from a different perspective. Having said that, if you are serious, and I mean dead serious, about becoming a working screenwriter, or any other kind of fiction writer for that matter, then you have no choice but to study McKee like your literary life depends on it. Buy the hardcover, buy the Kindle version, and buy the audio version of DIALOGUE and STORY. And supplement these two works with any other material that speaks to you. If you do this, you will become a first class screenwriter or novelist or playwright, because all three genres are only different ways of presenting a Story. If you can’t commit to this, unless you’re a genius or prodigy, you’re wasting valuable time which could be spent following your true life calling. But if your heart’s desire is to become a working writer, then sooner or later you’ll have to know everything in McKee’s two books. So, you might as well bite the bullet and jump in head first. It's all right here in STORY and DIALOGUE. All of it. Thank you, Mr. McKee. You, sir, changed my life.-- Jimmy Hager
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 21, 2016
J
Verified Purchase
jk Smiles
San Leandro, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Bozeman, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
West Palm Beach, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Draper, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2017

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