2-in-1 Dekbed - 200 x 220 cm - Wit- Dekbed zonder overtrek - Anti Allergie & Ademend - All Year Dekbed - Zomerdekbed & Winterdekbed
SKU: 56659748524

2-in-1 Dekbed - 200 x 220 cm - Wit- Dekbed zonder overtrek - Anti Allergie & Ademend - All Year Dekbed - Zomerdekbed & Winterdekbed

$40.46 $44.95
Save 10%
No.2 Bestseller on www.gnsteacherstrainingcollege.org.in >

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 7 - Jul 12

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

2-in-1 Dekbed - 200 x 220 cm - Wit- Dekbed zonder overtrek - Anti Allergie & Ademend - All Year Dekbed - Zomerdekbed & WinterdekbedGolden Dreams Ervaar Luxe en Comfort Tijdens Uw Nachtrust Gun uzelf de ultieme slaapervaring met Golden Dreams. Dit premium merk biedt een verfijnde collectie dekbedden en kussens in een elegant zwart design, perfect voor wie op zoek is naar luxe en ongevenaard slaapcomfort. Met zorgvuldig geselecteerde materialen en een doordacht ontwerp zorgt Golden Dreams voor de ideale nachtrust. Materialen van Topkwaliteit voor Maximale Comfort De dekbedden en

Golden Dreams – Ervaar Luxe en Comfort Tijdens Uw Nachtrust

Gun uzelf de ultieme slaapervaring met Golden Dreams. Dit premium merk biedt een verfijnde collectie dekbedden en kussens in een elegant zwart design, perfect voor wie op zoek is naar luxe en ongeëvenaard slaapcomfort. Met zorgvuldig geselecteerde materialen en een doordacht ontwerp zorgt Golden Dreams voor de ideale nachtrust.

Materialen van Topkwaliteit voor Maximale Comfort
De dekbedden en kussens van Golden Dreams zijn vervaardigd uit zachte, ademende microvezel die heerlijk aanvoelt op de huid. De vulling van thermisch gedraaide siliconenvezels is lichtgewicht en ademend, waardoor de lucht perfect circuleert en een aangename temperatuur behouden blijft. Dit garandeert een comfortabele slaap zonder oververhitting, voor een verkwikkende nachtrust.

Elegant, Stijlvol en Praktisch
Het tijdloze zwarte design van Golden Dreams voegt een vleugje luxe toe aan uw slaapkamer, en is tegelijkertijd praktisch. De diepe, donkere kleur verbergt vlekken en vermindert de noodzaak voor regelmatig wassen, waardoor uw dekbed en kussens langer fris en in topconditie blijven.

Antiallergisch en Gezond Slapen
Golden Dreams-producten zijn ideaal voor mensen met allergieën. De microvezelhoes heeft een dichte weving die voorkomt dat huisstofmijt en bacteriën zich ophopen. De antiallergische vulling draagt bij aan een gezonde en schone slaapomgeving. Bovendien zijn alle producten gecertificeerd volgens Oeko-Tex Standard 100, wat garandeert dat ze vrij zijn van schadelijke stoffen en zware metalen.

Geschikt voor Elk Seizoen
Het all-year quilted dekbed van Golden Dreams biedt comfort voor het hele jaar. Dankzij een speciale quilttechniek blijft de vulling gelijkmatig verdeeld, zodat het dekbed altijd zijn oorspronkelijke vorm behoudt. Dit zorgt voor een constante, comfortabele slaapervaring, ongeacht het seizoen.

Productdetails:

  • Merk: Golden Dreams

  • Afmetingen: 160 cm x 200 cm (andere maten beschikbaar)

  • Materiaal hoes: Hoogwaardige microvezel

  • Vulling: Thermisch gedraaide siliconenvezels (200g/m2)

  • Eigenschappen: Ademend, elastisch, antiallergisch en onderhoudsvriendelijk

  • Onderhoud: Machinewasbaar en eenvoudig schoon te houden

  • Certificering: Oeko-Tex Standard 100, gegarandeerd veilig voor de gezondheid

  • Land van herkomst: Polen

  • Kleur: Wit

Uw Sleutel tot de Perfecte Nachtrust
Kies voor Golden Dreams en ervaar de perfecte combinatie van luxe, duurzaamheid en functionaliteit. Bestel vandaag nog en transformeer uw nachtrust met comfort, zachtheid en stijl!

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 56659748524

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.6 ★★★★★
Based on 2057 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
D
Verified Purchase
Diana D
Waukegan, US
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
J
Verified Purchase
JR
Grantham, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Belleville, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Los Angeles, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Louisville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017

recommand products

Sugar Skull Glitter Wit Halloween Decoratie
10.95
Skeleton Queen Kostuum
25.95
Midnight Heks Kostuum
32.95
Decoratie Crazy Catrina Schedel – 80 cm
21.95
ccdk siana chemise jurk grijs
41.21