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Description
Terranova Zinc 15mg complex 100.00 Vegetarische capsulesTerranova Zinc 15mg complex Terranova Zinc 15mg Complex * Levert 15mg zink per capsule als zink bisglycinaatchelaat TRAACS. * Beschikt over een intens synergetisch MAGNIFOOD COMPLEX om de absorptie, biologische beschikbaarheid en werking van zink in het lichaam te ondersteunen en maximaliseren. Zink is een onderdeel van elke cel in het lichaam en is bij meer enzymatische reacties betrokken dan enig ander mineraal. Het is een cruciale voedingsstof voor
Terranova Zinc 15mg complexTerranova Zinc 15mg Complex
* Levert 15mg zink per capsule als zink bisglycinaatchelaat TRAACS™.
* Beschikt over een intens synergetisch MAGNIFOOD COMPLEX om de absorptie, biologische beschikbaarheid en werking van zink in het lichaam te ondersteunen en maximaliseren.
Zink is een onderdeel van elke cel in het lichaam en is bij meer enzymatische reacties betrokken dan enig ander mineraal. Het is een cruciale voedingsstof voor een algehele goede gezondheid.
Terranova Zinc 15mg Complex bevat zink als bisglycinaatchelaat (TRAACS™), een zeer biologisch beschikbare vorm van zink die zorgt voor een optimale absorptie.
Verschillende andere voedingsstoffen, waaronder koper, zijn nodig voor het zink metabolisme. Om deze reden biedt het MAGNIFOOD COMPLEX natuurlijk voorkomende bronnen van koper en andere voedingsstoffen.
TRAACS The Real Amino Acid Chelate System
TRAACS™ staat voor The Real Amino Acid Chelate System en is het handelsmerk van Albion™ Human Nutrition voor een reeks van zijn exclusieve gepatenteerde producten.
De naam TRAACS™ is ontstaan uit vele jaren van uitgebreid onderzoek en weerspiegelt de unieke technologie die ervoor zorgt dat de mineralen stabiel zijn en gemakkelijk en goed verteerd, geabsorbeerd en verdragen worden.
Het aminozuur glycine (een natuurlijke essentiële voedingsstof) is gebonden aan het mineraal om een zeer biologisch beschikbare vorm te bereiken, zelfs in omgevingen met een laag zuurgehalte (vaak gevonden in een gecompromitteerd maag-darmstelsel). Verder zijn de oplosbaarheid en stabiliteit in de van nature hoogzure omgeving van de maag bewezen. Glycine vormt een zeer stabiele binding met het mineraal in het maagdarmkanaal en wordt gemakkelijk door het lichaam herkend en opgenomen.
TRAACS™ biedt:
- Grotere biologische activiteit
- Verhoogde biologische beschikbaarheid
- Betere stabiliteit
- Grotere tolerantie (geen gastro-intestinale stoornis)
- Verbindingen die geen interactie hebben met andere voedingsmiddelen die de opname van mineralen verhinderen (vezels, fytaten).
- Hypoallergene, glutenvrije en veganistische ingrediënten
Kernwaarden Terranova
Waar zijn de capsules van gemaakt?
De capsules van Terranova zijn volledig plantaardig. Ze zijn namelijk van hydroxypropyl methylcellulose, afkomstig van houtpulp en door ons lichaam minstens zo snel oplosbaar als gelatine.
Kan ik als vegetariër of veganist Terranova voedingssuppletie gebruiken?
Ja. Terranova’s gehele lijn aan voedingssupplementen is volledig veganistisch, dus ook vegetarisch. Ook eventueel nieuw komende producten zullen volledig veganistisch zijn.
Bevatten de producten van Terranova additieven?
Nee. Terranova’s producten zijn volledig vrij van smaakstoffen, kleurstoffen, vulstoffen, bindmiddelen of andere additieven. Dit onderstreept de diepe betrokkenheid van Terranova’s ontwikkelaar Stephen Terrass bij de kwaliteit van de producten én bij u als eindgebruiker.
Wat betekent (het logo) MagniFood op de Terranova producten?
MagniFood is Terranova’s overkoepelende naam voor verschillende ingrediënten samen, zoals de gewassen, fruit en kruiden. Elk product heeft echter een andere samenstelling qua gewassen, groenten, fruit en kruiden. Deze samenstelling is met zorg geselecteerd en maakt dat Terranova’s producten een meer effectieve uitwerking hebben, zoals het verbeteren van absorptie, biologische beschikbaarheid, functie en effect van de voedingsstoffen in het product.
Wat betekent (het logo) Phytofresh op de Terranova producten?
PhytoFresh op Terranova’s producten betekent dat de gewassen, groenten, fruit en kruiden vers zijn gevriesdroogd.
Terranova’s ingrediënten komen voornamelijk van de gecertificeerde boerderij; Eclectic Instituut. Hier worden de ingrediënten op piekniveaus geoogst met de hand, om vervolgens te worden gevriesdroogd. Piekniveau wil zeggen, dat planten eerst volledig volgroeid zijn, alvorens men ze van het land haalt. Dit gebeurt met de hand, zodat de planten intact blijven en niet worden beschadigd door machines. Vervolgens worden de planten binnen het uur gevriesdroogd. Dit betekent dat alle vloeistoffen, het water, eruit wordt gesublimeerd. Zo houdt men alleen de complexe structuur van de plant over, dus met vitaminen en mineralen. Door dit proces toe te passen blijft de prachtige, voedzame structuur van de plant langer behouden én hoeft het enkel licht gemalen te worden tot poeder.
Samenstelling
Samenstelling per capsule %EC RI*
MAGNIFOOD complex 400mg -
Bestaande uit:
Gestabiliseerde rijstzemelen 250mg
Spirulina 75mg
Pompoenzaad 50mg
Acaibessen (vers gevriesdroogd) 25mg
Plantaardige Capsulehuls 95mg -
Zink (als bisglycinaat) 15mg 150
*RI = Referentie Inname
Ingredienten
Magnifood complex, bestaande uit: rijstzemelen, spirulina, pompoenzaad, acaibessen, plantaardige capsulehuls, zink.
Gebruik
Volwassenen: 1 capsule per dag met voedsel innemen.
Bewaaradvies
Droog, afgesloten en bij kamertemperatuur bewaren.
Verantwoordelijk voor het in de handel brengen
Terranova Supplements BV
Dit product is een voedingssupplement.
Aanbevolen dosering niet overschrijden.
Een gevarieerde, evenwichtige voeding en een gezonde levensstijl zijn belangrijk. Een voedingssupplement is geen vervanging voor een gevarieerde voeding.
Buiten bereik van jonge kinderen houden.
Droog, afgesloten en bij kamertemperatuur bewaren, tenzij anders geadviseerd op het etiket.
Raadpleeg een deskundige alvorens supplementen te gebruiken in geval van zwangerschap, lactatie, medicijngebruik en ziekte.
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4.5 ★★★★★
Based on 795 reviews
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Product Reviews
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out).
Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!).
Some additional personal nuggets I gleaned from this book include the following:
1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199).
2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138)
3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322)
The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
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Reviewed in the United States on November 15, 2010
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process.
The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual.
Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life.
HIghly recommended, one of the most interesting learning experiences i have had in a long while!
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Reviewed in the United States on February 5, 2013
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012
★★★★★ 5
Wise and Complete
Format: Paperback
I've read a lot of books, too many, on creativity, and this is by far the best, the most complete, the most interesting. The idea that creativity comes out of immersion in a domain or field seems absolutely right and the idea missed by so many other writers. I'm a writer and a painter and I've learned that I'm not going to be any better than the work I've come to know and love, that I have to live in that work. If you want to be a better string player, play with a better ensemble. In many ways a creative person is someone who is in a conversation with what has come before, with work that excites her, teaches her, challenges her. This book makes that plain. But he has other insights as well, especially about the creative personality, the interesting dichotomies. Just read the book.
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Reviewed in the United States on February 22, 2015
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