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portret van het meisje elisa paulsen thorvaldsen ferdinand florKunstdruk Portret van de dochter van Elisa Paulsen Thorvaldsen Ferdinand Flor Boeiende introductie In de fascinerende wereld van de kunst onderscheiden sommige werken zich door hun vermogen om niet alleen de fysieke verschijning van een onderwerp vast te leggen, maar ook de essentie, het karakter en het verhaal ervan. De kunstdruk Portret van de dochter van Elisa Paulsen Thorvaldsen Ferdinand Flor is een perfect voorbeeld hiervan. Dit werk, doordrenkt
Kunstdruk Portret van de dochter van Elisa Paulsen Thorvaldsen - Ferdinand Flor – Boeiende introductie In de fascinerende wereld van de kunst onderscheiden sommige werken zich door hun vermogen om niet alleen de fysieke verschijning van een onderwerp vast te leggen, maar ook de essentie, het karakter en het verhaal ervan. De kunstdruk Portret van de dochter van Elisa Paulsen Thorvaldsen - Ferdinand Flor is een perfect voorbeeld hiervan. Dit werk, doordrenkt met subtiliteit en finesse, dompelt ons onder in de wereld van de 19e eeuw, waarin portrettekenen een ware viering was van schoonheid en persoonlijkheid. Door naar dit portret te kijken, wordt de kijker onmiddellijk meegenomen in een stilzwijgend gesprek met het onderwerp, een jong meisje wiens blik en houding een verhaal vertellen dat veel groter is dan men zou kunnen vermoeden. Stijl en uniekheid van het werk De stijl van Ferdinand Flor wordt gekenmerkt door een nauwgezette aandacht voor details en een indrukwekkende beheersing van licht- en kleurnuances. In dit portret is elke penseelstreek zorgvuldig bedacht, wat bijdraagt aan het creëren van een sfeer vol zachtheid en sereniteit. Hoe het licht het gezicht van het meisje streelt, haar delicate trekken accentueert, onthult een artistieke gevoeligheid die het eenvoudige realisme overstijgt. Flor slaagt erin een evenwicht te vinden tussen idealisme en waarheid, en biedt zo een zowel getrouwe als poëtische weergave. De zorgvuldig weergegeven kleding voegt een historische dimensie toe aan het werk, en getuigt van de mode van die tijd, terwijl het de natuurlijke gratie van haar model benadrukt. Deze unieke benadering van het portret maakt van dit werk een onmisbaar stuk voor kunstliefhebbers. De kunstenaar en zijn invloed Ferdinand Flor, hoewel minder bekend dan sommige van zijn tijdgenoten, heeft zijn stempel gedrukt op het artistieke landschap van de 19e eeuw. Opgegroeid in een omgeving waar kunst werd gevierd, ontwikkelde hij een stijl die traditie en innovatie combineert. Zijn werk onderscheidt zich door een bijzondere gevoeligheid voor zijn onderwerpen, of het nu portretten van families zijn of historische figuren. Flor werd beïnvloed door de grote meesters van de schilderkunst, terwijl hij zijn eigen visie integreerde, wat hem in staat stelde een unieke artistieke identiteit te vormen. Zijn benadering van het portret, die realisme en emotie combineert, opende de weg voor andere kunstenaars die probeerden te vastleggenShipping Notes
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4.8 ★★★★★
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Product Reviews
★★★★★ 4
Good but more academic
Format: Hardcover
I love Brant Pitre, especially his books Jesus and the Jewish Roots of the Eucharist and Jesus the Bridegroom. I would say those books should be required reading for anyone who is catechist or is involved in RCIA as Catholics. This book is good, however it is primarily an academic work where Dr. Pitre takes on the Historical Jesus movement and Dr. Bart Ehrman in particular. In this book he goes on to show that the gospels were written within a few decades of Jesus death by the disciples that have given their names to the gospels. He uses his knowledge of Jewish faith and culture to show that Jesus really does claim to be God in all the gospels, not just the Gospel of John. It is a good book but not one that I would find useful on a regular basis.
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Reviewed in the United States on March 14, 2016
★★★★★ 5
BEST BOOK IN 20 YEARS
Format: Hardcover
BEST BOOK that I have read in 20 years. This should be required reading in Christian schools. Every Christian who has graduated from high school should read this book. As one who has studied Church History, Hebrew, Aramaic and Greek myself, I had become very disappointed in what passes as scholarship, even among Ivy Leage graduates, in the 21st century. HOWEVER, Dr. Pitre's book is a great encouragement that there really are people "out-there" that display genuine scholarship. With Appreciation, Russ Hills, Ph.D.
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Reviewed in the United States on January 13, 2026
★★★★★ 5
A Case for Jesus' Divine Self-Conception
Format: Kindle
This is a very meticulously reasoned argument attempting to show that Jesus had a Divine self-conception. That is, Jesus believed, and claimed, that he was God.
Pitre begins by posing C.S. Lewis’ famous “trilemma” to the reader. If Jesus claimed to be God, we have three ways to respond – he was either a Liar, Lunatic, or Lord. Pitre’s work in this book strives to bring us back, face to face, with this trilemma. To accomplish this, Pitre needs to defeat another popular notion in the modern mind – that Jesus, or at least much of the Gospel material about him, was a “Legend.” If Pitre can show that Jesus did, in fact, historically claim Divinity, we will be forced to respond to his claim and answer Jesus’ own question for ourselves – “Who do you say that I am?”
To accomplish this Pitre first attempts to show that the Gospels are historically reliable. He believes that, contrary to modern scholarly opinion, the Gospels were indeed written by the authors they have been attributed to (Matthew, Mark, Luke, and John), that they were intended to portray historically accurate biographical pictures of Jesus, and that they were written much more closely to the time of Jesus than liberal scholars assume (Pitre tentatively dates the synoptic Gospels all before the destruction of the Temple in AD 70). These three pieces of evidence – authorship, intent, and dating – all lead Pitre to the conclusion that the Gospels give us historically accurate information about Jesus.
After setting the stage by arguing for the accuracy of our sources, Pitre delves into the synoptic Gospels (Matthew, Mark, and Luke) and tries to show that although it is not always explicit (i.e. Jesus doesn’t say “I am God, worship Me.”) even the synoptics portray Jesus as claiming Divinity. Using evidence such as Jesus’ use of the titles “Son of Man” and “I Am,” prophesy from the book of Daniel, Jesus’ “stilling of the storm,” the transfiguration, the pronouncement of the forgiveness of the parlytic’s sins, the riddle about the Son of David being David’s “Lord,”, the crucifixion, and the resurrection, Pitre makes his case. In the end, he believes that not only do the Gospel authors portray Jesus as Divine, but that these claims came from Jesus himself.
Thus we are led, full circle, back to the trilemma. We can call Jesus Liar, Lunatic, or Lord, but not, according to Pitre, a Legend.
This was a really interesting read from a conservative scholar. His exegesis of many Gospel passages illuminate how the Hebrew Scriptures provide a much needed backdrop for understanding each story. The Gospels are much more nuanced than we might first think and oftentimes one saying or image may evoke whole passages or concepts from the Old Testament that would have been apparent to early Jewish readers. As Pitre argues, understanding the Jewish context of the synoptic authors helps in understanding their Christology.
In the end, I agree with Pitre that the Gospels are generally more historically accurate than “mainstream” scholars give them credit for. I think it’s plausible that the Gospel titles reveal their true authors and that they were written fairly early after Jesus’ death (before the fall of Jerusalem). I also agree that the Synoptics may implicitly ascribe Divinity to Jesus – although I don’t think that is an open and shut case. If there were more explicit cases in the synoptic Gospels where Jesus claimed Divinity, it would help his case. It still seems to me the only explicit sayings we have come from the Gospel of John, which even Pitre doesn’t seem to argue is historically reliable (at least he doesn’t focus on this in the book).
It’s probably outside the scope of this book, but I would have loved to see Pitre address the idea of Jesus as Apocalyptic Prophet. He interacts with several scholars who accept this notion (EP Sanders, Dale Allison, Bart Ehrman, John Meier) and it’s a viable option in the world of Historical Jesus scholarship. I think it’s a relevant topic in all discussions surrounding a Historical Jesus and can be a large factor in how one answers the question of Jesus’ identity.
This study is worth reading regardless of your theological persuasion, and Pitre’s arguments deserve serious consideration.
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Reviewed in the United States on February 3, 2016
★★★★★ 5
Relief for dry mouth without gum irritation
Big improvement for users with sensitive gums. These relieve dry mouth during the night almost as well as the regular tabs. Some complained about a residual gel left on the gums. 🙄Just wipe it off. It’s a small thing.
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Reviewed in the United States on May 4, 2026
★★★★★ 5
An easy fix for dry mouth
Excellent for dry mouth.
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Reviewed in the United States on May 6, 2026