Yamaha HIFI1 HI-FI Package
SKU: 53252161389

Yamaha HIFI1 HI-FI Package

Sale price$539.55 Regular price$599.50
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Description

Yamaha HIFI1 HI-FI PackageThe Yamaha HIFI1 HI FI Package includes a R S202 2 Channel Receiver and a pair of NS BP301 Bookshelf Speakers, featuring high quality sound, Bluetooth compatibility, 4 analogue inputs, 40 station FM AM preset tuning, a beautiful black gloss finish, high resolution capable speakers with 40kHz tweeters, rich full bass with A PMD woofer, VCCS technology that suppresses unnecessary vibration, and power saving capabilities. The package also boasts a simple

The Yamaha HIFI1 HI-FI Package includes a R-S202 2-Channel Receiver and a pair of NS-BP301 Bookshelf Speakers, featuring high quality sound, Bluetooth compatibility, 4 analogue inputs, 40 station FM/AM preset tuning, a beautiful black gloss finish, high resolution capable speakers with 40kHz tweeters, rich full bass with A-PMD woofer, VCCS technology that suppresses unnecessary vibration, and power saving capabilities. The package also boasts a simple and sophisticated design, speaker selector and terminals for two systems, and a remote control for easy use.

Yamaha HIFI1 HI-FI Package

Package includes a R-S202 2-Channel Receiver and a pair of NS-BP301 Bookshelf Speakers

Features

  • High quality sound thanks to a rich heritage in HiFi
  • Bluetooth®
  • 4 x analogue inputs
  • 40 x station FM/AM preset tuning
  • Beautiful Black Gloss finish similar to Yamaha pianos
  • High resolution capable speakers with 40kHz tweeters
  • Rich full bass with A-PMD woofer
  • VCCS (Vibration Control Cabinet Structure) technology that suppresses unnecessary vibration

Yamaha High Sound Quality, Created by Rich Experience and Tradition, and High Technological Expertise

Yamaha, with a long history of 125 years as a musical instrument maker, also has a high reputation for HiFi components. The R-S202 was created by taking advantage of this rich experience and high technological expertise. Based on the concept of “Natural Sound”, for reproducing all music as it really sounds, and built with scrupulous care from circuit design to basic sound production, even though an entry model it reproduces high sound quality and musically rich sound.

100 W x 2 High Output Power* and High Sound Quality Circuit Design

The R-S202, with 100 W* x 2 high drive power that's above its class, has a high sound quality design that minimises the length of signal routes and optimises the circuit layout. Positioning the power transformer near the power amp circuit reduces power loss while improving peak power supply capacity to enable high volume output. The signal ground and power supply ground are connected at one point, eliminating mutual interference to achieve a higher S/N ratio. The result is sound filled with clarity and a feeling of openness.

* 8 ohms, 40 Hz - 20 kHz, 0.2% THD

Bluetooth® Compatible for Wireless Music Streaming

The R-S202 provides Bluetooth® functionality to let you enjoy easy wireless music playback from smartphones and other devices. Use the display on your phone to select the songs from your library and hear them play with the full power and sound quality of your audio system.

40 Station AM/FM Preset Tuning

You can register up to 40 total FM and AM stations that you often listen to, then conveniently select them from either the receiver or the remote control. Auto Preset lets you automatically search for and register FM stations that can be received in your area. Frequencies appear on the display, so even when you want to listen to a new station, you can easily tune to its frequency.

Simple and Sophisticated Design

The R-S202 inherits the simple and sophisticated design style that Yamaha HiFi audio is famous for. With an elegant hair line finish, it harmonises beautifully with other HiFi audio equipment. The operating buttons and volume knobs also show our commitment to simplicity and ease of use.

Speaker Selector and Speaker Terminals for Two Systems

Equipped with speaker terminals for two systems, this receiver lets you can connect two sets of speakers. The speaker selector makes it easy to switch between speaker outputs, allowing you to hear the sound from one speaker system (A or B) or from both (A+B)

Power Saving

A power management function automatically cuts off the power (switches to standby mode) when the receiver has not been operated for a long time. It can be set to 2, 4, 8 or 12 hours, or off. In addition, power consumption during standby is only 0.5 W, achieving good energy saving performance.

Other Notable Features

• Simple design remote control

• Head phone terminal

HIFI1 (R-S202)
Network section Bluetooth Yes (SBC / AAC)
Maximum Power (4 ohms, 1kHz, 0.7% THD, for Europe) 115 W + 115 W
Minimum RMS Output Power (8 ohms, 40Hz~20kHz) 100 W + 100 W (0.2% THD)
High Dynamic Power/Channel (8/6/4/2 ohms) 125 W / 150 W / 165 W / 180 W
Frequency Response 20Hz-20kHz (0+/-0.5db), 10Hz-100kHz (0+/-3.0db)
Total Harmonic Distortion (8 ohms, 20 Hz-20 kHz) 0.025% (Phono (MM) to REC Out), 0.2% (CD to SP Out)
Signal-to-Noise Ratio (CD) 100 dB (S: 500 mV)
Input Sensitivity (CD) 500 mV / 47 k-ohms
FM 50dB Quieting Sensitivity (IHF, 1 kHz, 100% Mod., Mono) 3 μV (20.8 dBf)
FM Signal-to-Noise Ratio (Mono/Stereo) 72 dB / 70 dB
Standby Power Consumption 0.5 W
Dimensions (W x H x D) 435 x 141 x 322 mm; 17-1/8” x 5-1/2” x 12-5/8”
Weight 6.7 kg; 14.8 lbs.
HIFI1 (NS-BP301)
Speaker System Type 2-way bass-reflex bookshelf
Woofer 13 cm (5-1/4”) cone
Tweeter 3 cm (1-1/4”) soft dome
Input Power (Max/Nominal) 110 W / 60W
Frequency Response 55 Hz – 40 kHz
Sensitivity 85 dB / 2.83 V, 1 m
Crossover Frequency 4 kHz
Impedance 6 ohms
Dimensions (W x H x D) 176 x 310 x 297 mm; 6-7/8” x 12-1/4” x 11-3/4”
Weight 4.6 kg; 9.9 lbs.

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    SKU: 53252161389

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    4.4 ★★★★★
    Based on 669 reviews
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    Product Reviews
    D
    Verified Purchase
    Diana D
    Battle Creek, US
    ★★★★★ 5
    Very well written and easy to read.
    Format: Paperback
    Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader. This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story. I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on November 22, 2016
    J
    Verified Purchase
    JR
    Draper, US
    ★★★★★ 4
    Must Read for Novice Litigators
    Format: Paperback
    This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on July 25, 2018
    T
    Verified Purchase
    Tahoeman
    Louisville, US
    ★★★★★ 5
    Much needed guide to narration in law practice
    Format: Paperback
    Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 10, 2014
    D
    Verified Purchase
    David R. Papke
    Lowell, US
    ★★★★★ 5
    Recommended for All Lawyers
    Format: Paperback
    Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 7, 2014
    D
    Verified Purchase
    DoubtfulReader
    Draper, US
    ★★★★★ 3
    Notes on Legal Style by a Law Professor and Experienced Lawyer.
    Format: Kindle
    BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 27, 2017

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